This unique degree program combines contemporary music performance training with the rigorous study of traditional disciplines including sight-reading, music history, arranging, conducting, recording and more. The comprehensive program instructs students to demonstrate stylistic depth, creative maturity and professional competence in preparation for careers in today’s music industry.
The next step is to figure out what gauge, or thickness of string is best suited to your playing ability and style. Thinner gauges are easier to fret and bend, and may be better suited for beginners, until callouses build up on the fingertips. Heavier strings tend to produce greater volume and fuller tone. Nylon strings are typically categorized as light, medium or heavy tension. Steel strings for both electric and acoustic guitars are categorized by the gauge, or thickness of the lightest string, the high E string, measured in thousandths of an inch, with .09 being a common size for an electric set. A set of electric strings may be labeled .09-.042 - this is the gauge of the lightest and heaviest string in the set. Acoustic sets are a little thicker, so a typical medium-gauge set might be .012-.054.
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I am 66 years old and am retiring at the end of the year. I decided to return to playing guitar, which I dabbled in as a teenager. I bought myself a Martin LXK2 guitar right here. ( Beautiful 3/4 sized instrument made of HPL with beautiful tone and projection. No humidity worries and a sustainable product as it's made of recycled materials. See my review) It was $280 well spent. I opened the bag, tuned the guitar and to my delight, my aging brain had retained chord after chord: G, C, C7, D, A, A7, E all came back along with the string names E, A, D, G, B, E! Determined to build on this antique knowledge, I searched for a convenient chord book, and see that the reviews I read did not lead me astray.
Almost all guitars have frets, which are metal strips (usually nickel alloy or stainless steel) embedded along the fretboard and located at exact points that divide the scale length in accordance with a specific mathematical formula. The exceptions include fretless bass guitars and very rare fretless guitars. Pressing a string against a fret determines the strings' vibrating length and therefore its resultant pitch. The pitch of each consecutive fret is defined at a half-step interval on the chromatic scale. Standard classical guitars have 19 frets and electric guitars between 21 and 24 frets, although guitars have been made with as many as 27 frets. Frets are laid out to accomplish an equal tempered division of the octave. Each set of twelve frets represents an octave. The twelfth fret divides the scale length exactly into two halves, and the 24th fret position divides one of those halves in half again.

You need to place one finger on whatever fret you want to bar and hold it there over all of the strings on that fret. The rest of your fingers will act as the next finger down the line (second finger barring, so third finger will be your main finger, and so on). You can also buy a capo, so that you don't have to deal with the pain of the guitar's strings going against your fingers. The capo bars the frets for you. This also works with a ukulele.
The black dots found on the chord diagrams tell you which fret to press down, and on which string and with which numbered finger. Additionally, you will sometimes see circles above the nut. These circles tell you to play that open string without pressing any fret. So using what we know so far about strings, finger numbers, and dots, let’s check out that same chord diagram again:
The hardest thing about playing chords when you get started is changing between them. To effectively change between chords, you need to be economical with your movements. Spend a bit of time thinking about where your fingers need to be for each chord, and work out the most efficient way to move from one to the other. For example, from a C major, you can flatten your index finger so it covers the first string too and move your middle and ring fingers both down a string to switch to an F. Easy changes to start with are between C major and A minor and G major and E minor.
In major-thirds (M3) tuning, the chromatic scale is arranged on three consecutive strings in four consecutive frets.[83][84] This four-fret arrangement facilitates the left-hand technique for classical (Spanish) guitar:[84] For each hand position of four frets, the hand is stationary and the fingers move, each finger being responsible for exactly one fret.[85] Consequently, three hand-positions (covering frets 1–4, 5–8, and 9–12) partition the fingerboard of classical guitar,[86] which has exactly 12 frets.[note 1]
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Each Music Monday will feature local performers strumming their guitars on the Plaza. Bring your lunch or buy one from the Fork in the Road Food Truck and soak in the music from a variety of excellent Bozeman performers. This program is free to the public. Museum admission is not required. In the case of inclement weather, these performances will take place in the Hager Auditorium with space for lunch available in the Lower Lobby. Food and drinks are not allowed in the auditorium.
The Spanish vihuela, called in Italian the "viola da mano", a guitar-like instrument of the 15th and 16th centuries, is widely considered to have been the single most important influence in the development of the baroque guitar. It had six courses (usually), lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply cut waist. It was also larger than the contemporary four-course guitars. By the 16th century, the vihuela's construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, and more like a larger version of the contemporary four-course guitars. The vihuela enjoyed only a relatively short period of popularity in Spain and Italy during an era dominated elsewhere in Europe by the lute; the last surviving published music for the instrument appeared in 1576.[9]

Jump up ^ "The first incontrovertible evidence of five-course instruments can be found in Miguel Fuenllana's Orphenica Lyre of 1554, which contains music for a vihuela de cinco ordenes. In the following year, Juan Bermudo wrote in his Declaracion de Instrumentos Musicales: 'We have seen a guitar in Spain with five courses of strings.' Bermudo later mentions in the same book that 'Guitars usually have four strings,' which implies that the five-course guitar was of comparatively recent origin, and still something of an oddity." Tom and Mary Anne Evans, Guitars: From the Renaissance to Rock. Paddington Press Ltd, 1977, p. 24.

Fretboards are most commonly made of rosewood, ebony, maple, and sometimes manufactured using composite materials such as HPL or resin. See the section "Neck" below for the importance of the length of the fretboard in connection to other dimensions of the guitar. The fingerboard plays an essential role in the treble tone for acoustic guitars. The quality of vibration of the fingerboard is the principal characteristic for generating the best treble tone. For that reason, ebony wood is better, but because of high use, ebony has become rare and extremely expensive. Most guitar manufacturers have adopted rosewood instead of ebony.

The teen and tween years are the make or break years for most people, in deciding whether they’re going to stick with a childhood hobby or interest, for life. As you go through puberty, and begin preparing for life as an adult, and responsibilities pile on your plate, the first things to go tend to be the personal interests you’re passionate about, because they don’t pay the bills. Also, because they’re not an official part of your school curriculum. In other words, what was once a must-have becomes a nice-to-have.
If you are starting or just stuck in rut, this is the site for you. I had been playing three years and was not advancing as I wanted to, then I saw an ad for Paul Gilbert lessons at Artistworks. I decided to check it out and I have to say, if I had this from the beginning, I would be a much better guitarist. The main reason why, is that Paul is known for his fast playing, but he focuses you on rhythm to start off. That is were I had lacked. I thought I was a decent rhythm player, but I was not. So much thanks to Artistworks and Paul for the great site.
Try one that starts with C, moves to F, then G and then back to C. This is the most basic progression, and uses the major chords you know. If you start with an A minor before going to C you can make a more interesting progression which incorporates both major and minor chords. Generally speaking, you want to focus on the chord with the same name as the key (the root), which in this case is C. Think of the other chords as either springing from it or leading back to it. Play around with the chords and see what you can come up with!
The loud, amplified sound and sonic power of the electric guitar played through a guitar amp has played a key role in the development of blues and rock music, both as an accompaniment instrument (playing riffs and chords) and performing guitar solos, and in many rock subgenres, notably heavy metal music and punk rock. The electric guitar has had a major influence on popular culture. The guitar is used in a wide variety of musical genres worldwide. It is recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, folk, jazz, jota, mariachi, metal, punk, reggae, rock, soul, and many forms of pop.
Justin is an instructor with that rare combination that encompasses great playing in conjunction with a thoughtful, likable personality. Justin's instruction is extremely intelligent because he's smart enough to know the 'basics' don't have to be served 'raw' - Justin keenly serves the information covered in chocolate. Justin's site is like a free pass in a candy store!
You can tell whether or not strings are of a thin or thick gauge based on the numbers on the package. The smallest number, which is the gauge of thinnest string, will usually be .9 or lower on thin gauge strings. On thick gauge strings this number will be .12 or higher. Strings that are .10 or .11 are generally considered to be “mediums”, and produce a tone and feel which is the middle ground between these two extremes.
F major. This is fairly similar to the C, but a little more difficult to play. Press the fourth string down at the third fret with your ring finger, the third string down at the second fret with your middle finger, and the first and second strings down at the first fret with your index. You just flatten your index finger down across the two strings; lower your thumb if you struggle. You don't play the fifth or sixth strings in this chord.

Unlike many string instruments which use a bow to create a sound, guitars are played by plucking or strumming the strings on the instrument, which vibrate to create a sound. Chords are played when the guitarist holds their fingers down on more than one individual string to change its length, which in turn changes the frequency of the vibration created - in other words, it creates a different note. Performers often use guitar tabs, rather than sheet music, when learning music: this acts as a kind of 'map' to teach guitarists where to put their fingers on the strings.