Unlike a piano or the voices of a choir, the guitar (in standard tuning) has difficulty playing the chords as stacks of thirds, which would require the left hand to span too many frets, particularly for dominant seventh chords, as explained below. If in a particular tuning chords cannot be played in closed position, then they often can be played in open position; similarly, if in a particular tuning chords cannot be played in root position, they can often be played in inverted positions. A chord is inverted when the bass note is not the root note. Additional chords can be generated with drop-2 (or drop-3) voicing, which are discussed for standard tuning's implementation of dominant seventh chords (below).
SFCM produces some of the most successful and influential classical guitarists in the world. Spearheaded by renowned faculty and complemented by visiting artists such as Marcin Dylla, the department honors the tradition of the classical guitar while cultivating innovation. The Harris Guitar Collection, housed at SFCM, gives students a chance to see—and play—some of the most extraordinary guitars of the last two centuries.