This is by far the best online instruction. The fact you receive instruction from an established professional musician who wants to hear and see you play and has the enthusiasm to want you to become the best guitar player/musician you can be speaks volumes about the level and dedication he has towards his students. This is a great value and I recommend it to everyone I know who is learning guitar.
The hardest thing about playing chords when you get started is changing between them. To effectively change between chords, you need to be economical with your movements. Spend a bit of time thinking about where your fingers need to be for each chord, and work out the most efficient way to move from one to the other. For example, from a C major, you can flatten your index finger so it covers the first string too and move your middle and ring fingers both down a string to switch to an F. Easy changes to start with are between C major and A minor and G major and E minor.
Picks come in many shapes and sizes. Picks vary from the small jazz pick to the large bass pick. The thickness of the pick often determines its use. A thinner pick (between 0.2 and 0.5 mm) is usually used for strumming or rhythm playing, whereas thicker picks (between 0.7 and 1.5+ mm) are usually used for single-note lines or lead playing. The distinctive guitar sound of Billy Gibbons is attributed to using a quarter or peso as a pick. Similarly, Brian May is known to use a sixpence coin as a pick, while noted 1970s and early 1980s session musician David Persons is known for using old credit cards, cut to the correct size, as plectrums.
One of our goals at CCM is to instill in students a great appreciation for guitar and music that will last them a lifetime. Students at CCM have won numerous international guitar competitions, performed outreach concerts all over the world, and have gotten into the best colleges in the United States. Recent CCM graduates have gone on to Harvard, Stanford, Brown, and USC. Visit our Yelp pages to see what families have to say about our program.
The electric guitar initially met with skepticism from traditionalists, but country and blues players and jazz instrumentalists soon took to the variety of new tones and sounds that the electric guitar could produce, exploring innovative ways to alter, bend and sustain notes. The instrument's volume and tones proved particularly appealing to the enthusiasts of rock and roll in the 1950s.

The Spanish vihuela, called in Italian the "viola da mano", a guitar-like instrument of the 15th and 16th centuries, is widely considered to have been the single most important influence in the development of the baroque guitar. It had six courses (usually), lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply cut waist. It was also larger than the contemporary four-course guitars. By the 16th century, the vihuela's construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, and more like a larger version of the contemporary four-course guitars. The vihuela enjoyed only a relatively short period of popularity in Spain and Italy during an era dominated elsewhere in Europe by the lute; the last surviving published music for the instrument appeared in 1576.[9]
Spiral bound guitar book arrived on time as promised. As reference book for guitar chords, it's quite convenient to use for all levels of guitar expertise. It also provides alternatives to play a certain chord. It's easy to follow and to use. Using the tabs near the edge of the page, chords are arranged from A to G & "other chords". Obviously, the guitar greenhorn needs to learn a few basic chords first, and this book builds on those skills. Although the first edition was published in 2006, guitar chords don't really change, unlike other fields of study, so it's relevant today as it was years ago. I deducted 1 star because the back cover arrived crumpled, and I like to keep my books pristine. This book is supposed to be brand new. The person who packed the box was not careful. I still recommend this guitar book as a quick reference. It's faster to use this than look up chords individually on the web.
After you’re feeling more comfortable with the transitions, plug in this progression to your Uberchord. You should find that it’s much easier to play along with the progressions. Even with chords you aren’t yet comfortable with. The key to playing cleanly and precisely is training yourself to pay attention to the movement of your fingers. You’ll find that this heightened awareness translates into every new chord you learn.
First, being able to learn directly from amazing artists like Paul Gilbert is incredible. He's a great teacher and has a way of explaining things that are easy to understand and replicate. The video format is also extraordinarily helpful; I've used other sites that use only written materials (usually .pdf format), and they are difficult to navigate. The feedback, though, is what really makes this website head and shoulders above the others (even the other video websites). When I record myself and send it in, I get a response from Paul that critiques in an incredibly constructive way as well as additional exercises to work at really honing that skill. In addition, getting to see what tips he gave to other users is awesome! If you want to learn an instrument, there's no better way.
Another class of alternative tunings are called drop tunings, because the tuning drops down the lowest string. Dropping down the lowest string a whole tone results in the "drop-D" (or "dropped D") tuning. Its open-string notes DADGBE (from low to high) allow for a deep bass D note, which can be used in keys such as D major, d minor and G major. It simplifies the playing of simple fifths (powerchords). Many contemporary rock bands re-tune all strings down, making, for example, Drop-C or Drop-B tunings.
The nut is a small strip of bone, plastic, brass, corian, graphite, stainless steel, or other medium-hard material, at the joint where the headstock meets the fretboard. Its grooves guide the strings onto the fretboard, giving consistent lateral string placement. It is one of the endpoints of the strings' vibrating length. It must be accurately cut, or it can contribute to tuning problems due to string slippage or string buzz. To reduce string friction in the nut, which can adversely affect tuning stability, some guitarists fit a roller nut. Some instruments use a zero fret just in front of the nut. In this case the nut is used only for lateral alignment of the strings, the string height and length being dictated by the zero fret.

The next step is to figure out what gauge, or thickness of string is best suited to your playing ability and style. Thinner gauges are easier to fret and bend, and may be better suited for beginners, until callouses build up on the fingertips. Heavier strings tend to produce greater volume and fuller tone. Nylon strings are typically categorized as light, medium or heavy tension. Steel strings for both electric and acoustic guitars are categorized by the gauge, or thickness of the lightest string, the high E string, measured in thousandths of an inch, with .09 being a common size for an electric set. A set of electric strings may be labeled .09-.042 - this is the gauge of the lightest and heaviest string in the set. Acoustic sets are a little thicker, so a typical medium-gauge set might be .012-.054.
This unique degree program combines contemporary music performance training with the rigorous study of traditional disciplines including sight-reading, music history, arranging, conducting, recording and more. The comprehensive program instructs students to demonstrate stylistic depth, creative maturity and professional competence in preparation for careers in today’s music industry.