Archtop guitars are steel-string instruments in which the top (and often the back) of the instrument are carved, from a solid billet, into a curved, rather than a flat, shape. This violin-like construction is usually credited to the American Orville Gibson. Lloyd Loar of the Gibson Mandolin-Guitar Mfg. Co introduced the violin-inspired "F"-shaped hole design now usually associated with archtop guitars, after designing a style of mandolin of the same type. The typical archtop guitar has a large, deep, hollow body whose form is much like that of a mandolin or a violin-family instrument. Nowadays, most archtops are equipped with magnetic pickups, and they are therefore both acoustic and electric. F-hole archtop guitars were immediately adopted, upon their release, by both jazz and country musicians, and have remained particularly popular in jazz music, usually with flatwound strings.
The types and models of pickups used can greatly affect the tone of the guitar. Typically, humbuckers, which are two magnet-coil assemblies attached to each other, are traditionally associated with a heavier sound. Single-coil pickups, one magnet wrapped in copper wire, are used by guitarists seeking a brighter, twangier sound with greater dynamic range.

The pickguard, also known as the scratchplate, is usually a piece of laminated plastic or other material that protects the finish of the top of the guitar from damage due to the use of a plectrum ("pick") or fingernails. Electric guitars sometimes mount pickups and electronics on the pickguard. It is a common feature on steel-string acoustic guitars. Some performance styles that use the guitar as a percussion instrument (tapping the top or sides between notes, etc.), such as flamenco, require that a scratchplate or pickguard be fitted to nylon-string instruments.

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To play a C chord on a guitar, put your ring finger on the third fret on the A string, your middle finger on the second fret on the D string, leave the G string open, and put your index finger on the first fret of the B string. Before you try to strum the chord, play each note individually until the note sounds clear. When you've mastered the C chord, try moving on to other chords like G or F.
Body size, shape and style has changed over time. 19th century guitars, now known as salon guitars, were smaller than modern instruments. Differing patterns of internal bracing have been used over time by luthiers. Torres, Hauser, Ramirez, Fleta, and C. F. Martin were among the most influential designers of their time. Bracing not only strengthens the top against potential collapse due to the stress exerted by the tensioned strings, but also affects the resonance characteristics of the top. The back and sides are made out of a variety of timbers such as mahogany, Indian rosewood and highly regarded Brazilian rosewood (Dalbergia nigra). Each one is primarily chosen for their aesthetic effect and can be decorated with inlays and purfling.
Many influences are cited as antecedents to the modern guitar. Although the development of the earliest "guitars" is lost in the history of medieval Spain, two instruments are commonly cited as their most influential predecessors, the European lute and its cousin, the four-string oud; the latter was brought to Iberia by the Moors in the 8th century.[7]
On guitars that have them, these components and the wires that connect them allow the player to control some aspects of the sound like volume or tone using knobs, switches, or buttons. The most basic electronic control is a volume knob. Some guitars also have a tone-control knob, and some guitars with multiple pickups have pickup selector switches or knobs to determine which pickup(s) are activated. At their simplest, these consist of passive components, such as potentiometers and capacitors, but may also include specialized integrated circuits or other active components requiring batteries for power, for preamplification and signal processing, or even for electronic tuning. In many cases, the electronics have some sort of shielding to prevent pickup of external interference and noise.
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