A string’s gauge is how thick it is. As a general rule, the thicker a string is the warmer its response will be and the more volume it will produce. However, thicker strings are also stiffer. This makes it harder to fret the string and makes it more difficult to execute heavy string bends. Thinner strings are generally brighter and easier to play, but on some instruments they can sound thin and tinny.
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The E minor chord is one of the simplest to play because you only use two fingers Take extra care not to allow either of them to touch any of the open strings, or the chord won't ring properly. Strum all six strings. In certain situations, it may make sense to reverse your finger position so that your second finger is on the fifth string, and your third finger is on the fourth string.
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Play the A Major. This is another "big chord," sonically. There are several ways to play this. You can use one finger across the 2nd fret of the B, G, and D strings (playing C#, A, and E, respectively), or any other combination of fingers. For this example, we'll use the 4th finger on the B string, 3rd finger on the G string, and 2nd finger on the D string.
Modern pickups are tailored to the sound desired. A commonly applied approximation used in selection of a pickup is that less wire (lower electrical impedance) gives brighter sound, more wire gives a "fat" tone. Other options include specialized switching that produces coil-splitting, in/out of phase and other effects. Guitar circuits are either active, needing a battery to power their circuit, or, as in most cases, equipped with a passive circuit.
Learn a G major. Your ring finger goes on the top string, 3rd fret. The middle finger is for the 5th string, 2nd fret, and you pinky goes all the way to the bottom, on the 3rd fret of the 1st string. Strum all of the strings together to play the chord. If you want, add in the 3rd fret, 2nd string -- this not is not necessary, but makes a richer sounding chord.
Musicians Institute programs are fast paced and certain fundamental musical skills are required before you can begin your program. If you meet entry requirements and are accepted, a one-on-one performance evaluation and placement testing will be held during registration to determine whether you qualify for advanced placement in any area of course work. You are evaluated based on the content of your submission. For more info, please see the MI Course Catalog.
The playing of conventional chords is simplified by open tunings, which are especially popular in folk, blues guitar and non-Spanish classical guitar (such as English and Russian guitar). For example, the typical twelve-bar blues uses only three chords, each of which can be played (in every open tuning) by fretting six-strings with one finger. Open tunings are used especially for steel guitar and slide guitar. Open tunings allow one-finger chords to be played with greater consonance than do other tunings, which use equal temperament, at the cost of increasing the dissonance in other chords.
If you know how to play an E major chord, then you know how to play an A minor chord—just move the chord whole shape over a string. Make sure your first finger is curled, so the open first string rings clearly. Avoid playing the open sixth string when strumming the A minor chord. There are situations when it makes sense to reverse your second and third fingers when playing the A minor chord.
Quartal and quintal harmonies also appear in alternate tunings. It is easier to finger the chords that are based on perfect fifths in new standard tuning than in standard tuning. New standard tuning was invented by Robert Fripp, a guitarist for King Crimson. Preferring to base chords on perfect intervals—especially octaves, fifths, and fourths—Fripp often avoids minor thirds and especially major thirds,[102] which are sharp in equal temperament tuning (in comparison to thirds in just intonation).

SFCM produces some of the most successful and influential classical guitarists in the world. Spearheaded by renowned faculty and complemented by visiting artists such as Marcin Dylla, the department honors the tradition of the classical guitar while cultivating innovation. The Harris Guitar Collection, housed at SFCM, gives students a chance to see—and play—some of the most extraordinary guitars of the last two centuries.