Ernie Ball is the world's leading manufacturer of premium electric, acoustic, and classical guitar strings, bass strings, mandolin, banjo, pedal steel strings and guitar accessories. Our strings have been played on many of the best-selling albums of all time and are used by some of history’s greatest musicians including Paul McCartney, Eric Clapton, Jimmy Page, Slash, The Rolling Stones, Angus Young, Eagles, Jeff Beck, Pete Townshend, Aerosmith, Metallica, and more.
For the second note of the A minor 7 chord, place your second finger on the second fret of the D string. This is the second of the two notes you need to fret to play this chord. Make sure you’re on the tip of your finger and right behind the fret. Now that you have both notes in place, strum the top five strings, remembering to leave the low E string out.
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Inlays are visual elements set into the exterior surface of a guitar, both for decoration and artistic purposes and, in the case of the markings on the 3rd, 5th, 7th and 12th fret (and in higher octaves), to provide guidance to the performer about the location of frets on the instrument. The typical locations for inlay are on the fretboard, headstock, and on acoustic guitars around the soundhole, known as the rosette. Inlays range from simple plastic dots on the fretboard to intricate works of art covering the entire exterior surface of a guitar (front and back). Some guitar players have used LEDs in the fretboard to produce unique lighting effects onstage. Fretboard inlays are most commonly shaped like dots, diamond shapes, parallelograms, or large blocks in between the frets.
Quartal and quintal harmonies also appear in alternate tunings. It is easier to finger the chords that are based on perfect fifths in new standard tuning than in standard tuning. New standard tuning was invented by Robert Fripp, a guitarist for King Crimson. Preferring to base chords on perfect intervals—especially octaves, fifths, and fourths—Fripp often avoids minor thirds and especially major thirds,[102] which are sharp in equal temperament tuning (in comparison to thirds in just intonation).
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