I think for all parties, if we had the ability to send a "two day backstage pass" (you can use that), where we can send a friend a link and they could try the sight for free but couldn't submit videos. I have a few friends that I keep trying to sell them on but they just are not totally sold and I think it's because the beauty of this site is the personalized VE's are. The interaction between student and teacher is what really makes this magical and it's really hard to describe. The search feature could be a little better, more precise and sometimes it finds no VE hits on simple searches like street. Otherwise I am one of your biggest fans.
Guitarists don’t have to just look on in envy as pianists lead the holiday sing-a-longs this Christmas. Our selection of holiday Guitar Tabs include traditional classics we all love like “O Holy Night” and “Carol of the Bells” and the pop favorites that just wouldn’t be the same without a guitar, like “Jingle Bell Rock” and “Happy Xmas (War is Over)” by John Lennon. But if you just can’t get enough of those traditional Christmas classics, you can pick up our collection of ’Christmas Favorites for Guitar.’
The electric guitar initially met with skepticism from traditionalists, but country and blues players and jazz instrumentalists soon took to the variety of new tones and sounds that the electric guitar could produce, exploring innovative ways to alter, bend and sustain notes. The instrument's volume and tones proved particularly appealing to the enthusiasts of rock and roll in the 1950s.

When you’re learning a new chord, make the shape and leave it on the guitar for about thirty seconds. Then remove your hand, shake it out, and make the chord shape again. It may take some time for you to make the chord shape again, but that’s okay because you’re working on your muscle memory. Repeating this process a few times is a great way of memorizing your chords.

Dots are usually inlaid into the upper edge of the fretboard in the same positions, small enough to be visible only to the player. These usually appear on the odd numbered frets, but also on the 12th fret (the one octave mark) instead of the 11th and 13th frets. Some older or high-end instruments have inlays made of mother of pearl, abalone, ivory, colored wood or other exotic materials and designs. Simpler inlays are often made of plastic or painted. High-end classical guitars seldom have fretboard inlays as a well-trained player is expected to know his or her way around the instrument. In addition to fretboard inlay, the headstock and soundhole surround are also frequently inlaid. The manufacturer's logo or a small design is often inlaid into the headstock. Rosette designs vary from simple concentric circles to delicate fretwork mimicking the historic rosette of lutes. Bindings that edge the finger and sound boards are sometimes inlaid. Some instruments have a filler strip running down the length and behind the neck, used for strength or to fill the cavity through which the truss rod was installed in the neck.
A slide, (neck of a bottle, knife blade or round metal or glass bar or cylinder) is used in blues and rock to create a glissando or "Hawaiian" effect. The slide is used to fret notes on the neck, instead of using the fretting hand's fingers. The characteristic use of the slide is to move up to the intended pitch by, as the name implies, sliding up the neck to the desired note. The necks of bottles were often used in blues and country music as improvised slides. Modern slides are constructed of glass, plastic, ceramic, chrome, brass or steel bars or cylinders, depending on the weight and tone desired (and the amount of money a guitarist can spend). An instrument that is played exclusively in this manner (using a metal bar) is called a steel guitar or pedal steel. Slide playing to this day is very popular in blues music and country music. Some slide players use a so-called Dobro guitar. Some performers who have become famous for playing slide are Robert Johnson, Elmore James, Ry Cooder, George Harrison, Bonnie Raitt, Derek Trucks, Warren Haynes, Duane Allman, Muddy Waters, Rory Gallagher, and George Thorogood.
Learn a D major. This chord only requires the bottom four strings. Place your index finger on the 3rd string, 2nd fret. Your ring finger then goes on the 2nd string, 3rd fret, and your middle finger is the 1st string, second fret. You'll form a little triangle shape. Only strum these three strings and the 4th string -- the open D -- to sound out the chord.
Ze first began his journey playing original music and top 40s pop tunes around the country's popular venues. Eventually, through the music of John Mayer, he found a strong attraction to blues music. Ze has years of experience teaching beginners and intermediate guitarists. Currently with Liberty Park Music he is teaching Introduction to Guitar Playing for Complete Beginners, Rhythm Guitar to learn about strumming, chords and more, Guitar Essentials as a fast-track review course, and lots of Song Lessons on pop and rock hits.

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The headstock is located at the end of the guitar neck farthest from the body. It is fitted with machine heads that adjust the tension of the strings, which in turn affects the pitch. The traditional tuner layout is "3+3", in which each side of the headstock has three tuners (such as on Gibson Les Pauls). In this layout, the headstocks are commonly symmetrical. Many guitars feature other layouts, including six-in-line tuners (featured on Fender Stratocasters) or even "4+2" (e.g. Ernie Ball Music Man). Some guitars (such as Steinbergers) do not have headstocks at all, in which case the tuning machines are located elsewhere, either on the body or the bridge.
Almost all guitars have frets, which are metal strips (usually nickel alloy or stainless steel) embedded along the fretboard and located at exact points that divide the scale length in accordance with a specific mathematical formula. The exceptions include fretless bass guitars and very rare fretless guitars. Pressing a string against a fret determines the strings' vibrating length and therefore its resultant pitch. The pitch of each consecutive fret is defined at a half-step interval on the chromatic scale. Standard classical guitars have 19 frets and electric guitars between 21 and 24 frets, although guitars have been made with as many as 27 frets. Frets are laid out to accomplish an equal tempered division of the octave. Each set of twelve frets represents an octave. The twelfth fret divides the scale length exactly into two halves, and the 24th fret position divides one of those halves in half again.
Adding a minor seventh to a major triad creates a dominant seventh (denoted V7). In music theory, the "dominant seventh" described here is called a major-minor seventh, emphasizing the chord's construction rather than its usual function.[27] Dominant sevenths are often the dominant chords in three-chord progressions,[18] in which they increase the tension with the tonic "already inherent in the dominant triad".[28]
Solid body seven-string guitars were popularized in the 1980s and 1990s. Other artists go a step further, by using an eight-string guitar with two extra low strings. Although the most common seven-string has a low B string, Roger McGuinn (of The Byrds and Rickenbacker) uses an octave G string paired with the regular G string as on a 12-string guitar, allowing him to incorporate chiming 12-string elements in standard six-string playing. In 1982 Uli Jon Roth developed the "Sky Guitar", with a vastly extended number of frets, which was the first guitar to venture into the upper registers of the violin. Roth's seven-string and "Mighty Wing" guitar features a wider octave range.[citation needed]

Body size, shape and style has changed over time. 19th century guitars, now known as salon guitars, were smaller than modern instruments. Differing patterns of internal bracing have been used over time by luthiers. Torres, Hauser, Ramirez, Fleta, and C. F. Martin were among the most influential designers of their time. Bracing not only strengthens the top against potential collapse due to the stress exerted by the tensioned strings, but also affects the resonance characteristics of the top. The back and sides are made out of a variety of timbers such as mahogany, Indian rosewood and highly regarded Brazilian rosewood (Dalbergia nigra). Each one is primarily chosen for their aesthetic effect and can be decorated with inlays and purfling.

Many influences are cited as antecedents to the modern guitar. Although the development of the earliest "guitars" is lost in the history of medieval Spain, two instruments are commonly cited as their most influential predecessors, the European lute and its cousin, the four-string oud; the latter was brought to Iberia by the Moors in the 8th century.[7]

Piezoelectric, or piezo, pickups represent another class of pickup. These employ piezoelectricity to generate the musical signal and are popular in hybrid electro-acoustic guitars. A crystal is located under each string, usually in the saddle. When the string vibrates, the shape of the crystal is distorted, and the stresses associated with this change produce tiny voltages across the crystal that can be amplified and manipulated.
MIDI converters use a hexaphonic guitar signal to determine pitch, duration, attack, and decay characteristics. The MIDI sends the note information to an internal or external sound bank device. The resulting sound closely mimics numerous instruments. The MIDI setup can also let the guitar be used as a game controller (i.e., Rock Band Squier) or as an instructional tool, as with the Fretlight Guitar.

The standard guitar has six strings, but four-, seven-, eight-, nine-, ten-, eleven-, twelve-, thirteen- and eighteen-string guitars are also available. Classical and flamenco guitars historically used gut strings, but these have been superseded by polymer materials, such as nylon and fluorocarbon. Modern guitar strings are constructed from metal, polymers, or animal or plant product materials. Instruments utilizing "steel" strings may have strings made from alloys incorporating steel, nickel or phosphor bronze. Bass strings for both instruments are wound rather than monofilament.

The Master of Music in Performance (Guitar) from Musicians Institute combines advanced performance training with additional study in both traditional and contemporary disciplines such as music history, theory, education, research skills, recording technology, production, business relations and online brand management, taking your guitar skills to the highest level.