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The horizontal lines represent the frets on the guitar and the vertical lines represent the strings. The numbers listed let you know what fret number it is referring too. If there is an X it means don't play that string and if there is a 0 it means to play that string but do not press down on it anywhere. The black circles show you where to press down.
The three notes of a major triad have been introduced as an ordered triplet, namely (root, third, fifth), where the major third is four semitones above the root and where the perfect fifth is seven semitones above the root. This type of triad is in closed position. Triads are quite commonly played in open position: For example, the C-major triad is often played with the third (E) and fifth (G) an octave higher, respectively sixteen and nineteen semitones above the root. Another variation of the major triad changes the order of the notes: For example, the C-major triad is often played as (C,G,E), where (C,G) is a perfect fifth and E is raised an octave above the perfect third (C,E). Alternative orderings of the notes in a triad are discussed below (in the discussions of chord inversions and drop-2 chords).
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Once you know the basic chords, it might be easier to think of them the way the function inside a key. For example, when in the key of E, the E (I) is called the Tonic. It's what all the other chords want to get to—which is what helps give western music its sense of motion. The A (IV) in the key of E functions as the Subdominant—it's sort of a passive in-between, just as happy to continue forward, as to relax back to the Tonic. The Dominant is just what it sounds like: it leads you where it wants to go. In the key of E, that role is filled by the B (V), and will definitely make your brain want to get back to the Tonic! When you get more familiar with the chords, and want to sketch out a tune, try writing it as I-IV-V (or variations of that) instead of E-A-B. It will make it much easier to transpose when you find out your singer cannot sing in the original key!
The fingerboard, also called the fretboard, is a piece of wood embedded with metal frets that comprises the top of the neck. It is flat on classical guitars and slightly curved crosswise on acoustic and electric guitars. The curvature of the fretboard is measured by the fretboard radius, which is the radius of a hypothetical circle of which the fretboard's surface constitutes a segment. The smaller the fretboard radius, the more noticeably curved the fretboard is. Most modern guitars feature a 12" neck radius, while older guitars from the 1960s and 1970s usually feature a 6-8" neck radius. Pinching a string against a fret on fretboard effectively shortens the vibrating length of the string, producing a higher pitch.
On guitars that have them, these components and the wires that connect them allow the player to control some aspects of the sound like volume or tone using knobs, switches, or buttons. The most basic electronic control is a volume knob. Some guitars also have a tone-control knob, and some guitars with multiple pickups have pickup selector switches or knobs to determine which pickup(s) are activated. At their simplest, these consist of passive components, such as potentiometers and capacitors, but may also include specialized integrated circuits or other active components requiring batteries for power, for preamplification and signal processing, or even for electronic tuning. In many cases, the electronics have some sort of shielding to prevent pickup of external interference and noise.
Almost all guitars have frets, which are metal strips (usually nickel alloy or stainless steel) embedded along the fretboard and located at exact points that divide the scale length in accordance with a specific mathematical formula. The exceptions include fretless bass guitars and very rare fretless guitars. Pressing a string against a fret determines the strings' vibrating length and therefore its resultant pitch. The pitch of each consecutive fret is defined at a half-step interval on the chromatic scale. Standard classical guitars have 19 frets and electric guitars between 21 and 24 frets, although guitars have been made with as many as 27 frets. Frets are laid out to accomplish an equal tempered division of the octave. Each set of twelve frets represents an octave. The twelfth fret divides the scale length exactly into two halves, and the 24th fret position divides one of those halves in half again.
Of course, there are a few ways to narrow down the string options. For starters, since guitars come in different scales, you need a set that's the right length for your instrument. You also need to match the type of guitar: electric strings for an electric guitar, acoustic strings for acoustic. If you play an acoustic-electric, you'll usually be looking for acoustic strings since those instruments use non-magnetic pickups. For classical and Latin guitar types directly descended from ancient gut-stringed instruments, the right strings are generally going to be nylon.
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For example, in the guitar (like other stringed instruments but unlike the piano), open-string notes are not fretted and so require less hand-motion. Thus chords that contain open notes are more easily played and hence more frequently played in popular music, such as folk music. Many of the most popular tunings—standard tuning, open tunings, and new standard tuning—are rich in the open notes used by popular chords. Open tunings allow major triads to be played by barring one fret with only one finger, using the finger like a capo. On guitars without a zeroth fret (after the nut), the intonation of an open note may differ from then note when fretted on other strings; consequently, on some guitars, the sound of an open note may be inferior to that of a fretted note.
In major-thirds (M3) tuning, the chromatic scale is arranged on three consecutive strings in four consecutive frets. This four-fret arrangement facilitates the left-hand technique for classical (Spanish) guitar: For each hand position of four frets, the hand is stationary and the fingers move, each finger being responsible for exactly one fret. Consequently, three hand-positions (covering frets 1–4, 5–8, and 9–12) partition the fingerboard of classical guitar, which has exactly 12 frets.[note 1]
Português: Tocar Acordes de Guitarra, Español: tocar acordes de guitarra, Deutsch: Akkorde auf der Gitarre spielen, Italiano: Suonare gli Accordi con la Chitarra, Français: jouer des accords à la guitare, Русский: играть аккорды на гитаре, 中文: 弹吉他和弦, Nederlands: Gitaarakkoorden spelen, हिन्दी: गिटार बजाएँ, Tiếng Việt: Chơi Hợp âm Ghita, ไทย: จับคอร์ดกีตาร์, 日本語: ギターでコードを弾く, العربية: عزف كوردات الجيتار
Play each note of the chord one after another (known as playing an arpeggio) to check if any are being accidently muted or need pressing down harder. If you find that you're accidently muting a string with one of your fingers, try lowering your thumb so the tip reaches around half way up the back of the guitar neck. This gives your fingers a better angle to approach the fretboard.
The guitar is a type of chordophone, traditionally constructed from wood and strung with either gut, nylon or steel strings and distinguished from other chordophones by its construction and tuning. The modern guitar was preceded by the gittern, the vihuela, the four-course Renaissance guitar, and the five-course baroque guitar, all of which contributed to the development of the modern six-string instrument.
SFCM produces some of the most successful and influential classical guitarists in the world. Spearheaded by renowned faculty and complemented by visiting artists such as Marcin Dylla, the department honors the tradition of the classical guitar while cultivating innovation. The Harris Guitar Collection, housed at SFCM, gives students a chance to see—and play—some of the most extraordinary guitars of the last two centuries.