Adding a minor seventh to a major triad creates a dominant seventh (denoted V7). In music theory, the "dominant seventh" described here is called a major-minor seventh, emphasizing the chord's construction rather than its usual function.[27] Dominant sevenths are often the dominant chords in three-chord progressions,[18] in which they increase the tension with the tonic "already inherent in the dominant triad".[28]
The pickguard, also known as the scratchplate, is usually a piece of laminated plastic or other material that protects the finish of the top of the guitar from damage due to the use of a plectrum ("pick") or fingernails. Electric guitars sometimes mount pickups and electronics on the pickguard. It is a common feature on steel-string acoustic guitars. Some performance styles that use the guitar as a percussion instrument (tapping the top or sides between notes, etc.), such as flamenco, require that a scratchplate or pickguard be fitted to nylon-string instruments.
Phosphor bronze strings have a warmer sound with a smooth (if somewhat understated) high end response. This makes them a great fit for genres that benefit from a mellower tone, like a lot of folk or finger-style work. These strings pair well with smaller bodied guitars, though many musicians who play more relaxed genres prefer these strings on larger bodied instruments as well.

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Welcome to video eight in the Beginner Guitar Quick-Start Series. In this lesson, we’re going to go through your first two chords. You’ll learn A minor 7 and C major. These two guitar chords will be useful for you because you’ll be using them often through your guitar career. A minor 7 is good to start with because it is fairly easy, and C major is great chord to learn how to play clean sounding chords.
The electric guitar initially met with skepticism from traditionalists, but country and blues players and jazz instrumentalists soon took to the variety of new tones and sounds that the electric guitar could produce, exploring innovative ways to alter, bend and sustain notes. The instrument's volume and tones proved particularly appealing to the enthusiasts of rock and roll in the 1950s.
Ask any veteran musician, and they'll tell you that the early stages of learning a musical instrument go by a lot smoother when you're having fun. For this reason, Guitar Center strives their hardest to ensure every guitar lesson they offer is fully-engaging and an absolute blast for everyone involved. Whether you're into the warm, natural sound of an acoustic guitar or have aspirations of blowing out ear drums on the biggest stages in town, GC's guitar lessons are designed so that players of all ages, skill levels and tastes learn the chords and scales they need to know (and want to know) in a comfortable environment.
Inlays are visual elements set into the exterior surface of a guitar, both for decoration and artistic purposes and, in the case of the markings on the 3rd, 5th, 7th and 12th fret (and in higher octaves), to provide guidance to the performer about the location of frets on the instrument. The typical locations for inlay are on the fretboard, headstock, and on acoustic guitars around the soundhole, known as the rosette. Inlays range from simple plastic dots on the fretboard to intricate works of art covering the entire exterior surface of a guitar (front and back). Some guitar players have used LEDs in the fretboard to produce unique lighting effects onstage. Fretboard inlays are most commonly shaped like dots, diamond shapes, parallelograms, or large blocks in between the frets.
Open tunings improve the intonation of major chords by reducing the error of third intervals in equal temperaments. For example, in the open-G overtones tuning G-G-D-G-B-D, the (G,B) interval is a major third, and of course each successive pair of notes on the G- and B-strings is also a major third; similarly, the open-string minor-third (B,D) induces minor thirds among all the frets of the B-D strings. The thirds of equal temperament have audible deviations from the thirds of just intonation: Equal temperaments is used in modern music because it facilitates music in all keys, while (on a piano and other instruments) just intonation provided better-sounding major-third intervals for only a subset of keys.[65] "Sonny Landreth, Keith Richards and other open-G masters often lower the second string slightly so the major third is in tune with the overtone series. This adjustment dials out the dissonance, and makes those big one-finger major-chords come alive."[66]
An open tuning allows a chord to be played by strumming the strings when "open", or while fretting no strings. The base chord consists of at least three notes and may include all the strings or a subset. The tuning is named for the base chord when played open, typically a major triad, and each major-triad can be played by barring exactly one fret.[60] Open tunings are common in blues and folk music,[59] and they are used in the playing of slide and lap-slide ("Hawaiian") guitars.[60][61] Ry Cooder uses open tunings when he plays slide guitar.[59]
Though they may not be as exciting of a topic as instruments or amplifiers, choosing the right type of strings for your guitar is incredibly important. Guitar strings have different responses and different feels, and when the right type of string is used it’s a huge asset to your playing. Likewise, when the wrong type of string is used it can be incredibly detrimental.

Picks come in many shapes and sizes. Picks vary from the small jazz pick to the large bass pick. The thickness of the pick often determines its use. A thinner pick (between 0.2 and 0.5 mm) is usually used for strumming or rhythm playing, whereas thicker picks (between 0.7 and 1.5+ mm) are usually used for single-note lines or lead playing. The distinctive guitar sound of Billy Gibbons is attributed to using a quarter or peso as a pick. Similarly, Brian May is known to use a sixpence coin as a pick, while noted 1970s and early 1980s session musician David Persons is known for using old credit cards, cut to the correct size, as plectrums.
The Spanish vihuela, called in Italian the "viola da mano", a guitar-like instrument of the 15th and 16th centuries, is widely considered to have been the single most important influence in the development of the baroque guitar. It had six courses (usually), lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply cut waist. It was also larger than the contemporary four-course guitars. By the 16th century, the vihuela's construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, and more like a larger version of the contemporary four-course guitars. The vihuela enjoyed only a relatively short period of popularity in Spain and Italy during an era dominated elsewhere in Europe by the lute; the last surviving published music for the instrument appeared in 1576.[9]
Ernie Ball is the world's leading manufacturer of premium electric, acoustic, and classical guitar strings, bass strings, mandolin, banjo, pedal steel strings and guitar accessories. Our strings have been played on many of the best-selling albums of all time and are used by some of history’s greatest musicians including Paul McCartney, Eric Clapton, Jimmy Page, Slash, The Rolling Stones, Angus Young, Eagles, Jeff Beck, Pete Townshend, Aerosmith, Metallica, and more.

We believe that Guitar practice as an adult is more productive than it seems because it clears your head, it builds patience, discipline and concentration skills which you can transfer over to other parts of life, and it keeps your hand-eye coordination sharp. It also keeps you committed to learning and improvement, which again, are transferable traits to professional life. As role models, parents taking active classes shows kids the importance of pursuing personal interests for life.
SFCM produces some of the most successful and influential classical guitarists in the world. Spearheaded by renowned faculty and complemented by visiting artists such as Marcin Dylla, the department honors the tradition of the classical guitar while cultivating innovation. The Harris Guitar Collection, housed at SFCM, gives students a chance to see—and play—some of the most extraordinary guitars of the last two centuries.
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