Hello! My name is Jacob and I am a musician in the Boston area. I began playing guitar when I was seven and piano when I was nine. My father was a Berklee College of Music student and my mother sang in the Lexington pops, and so ever since I was young I knew that music was something I wanted to make a career out of. I would practice my instruments for hours each day, and started writing my own songs. &nb...
A slide, (neck of a bottle, knife blade or round metal or glass bar or cylinder) is used in blues and rock to create a glissando or "Hawaiian" effect. The slide is used to fret notes on the neck, instead of using the fretting hand's fingers. The characteristic use of the slide is to move up to the intended pitch by, as the name implies, sliding up the neck to the desired note. The necks of bottles were often used in blues and country music as improvised slides. Modern slides are constructed of glass, plastic, ceramic, chrome, brass or steel bars or cylinders, depending on the weight and tone desired (and the amount of money a guitarist can spend). An instrument that is played exclusively in this manner (using a metal bar) is called a steel guitar or pedal steel. Slide playing to this day is very popular in blues music and country music. Some slide players use a so-called Dobro guitar. Some performers who have become famous for playing slide are Robert Johnson, Elmore James, Ry Cooder, George Harrison, Bonnie Raitt, Derek Trucks, Warren Haynes, Duane Allman, Muddy Waters, Rory Gallagher, and George Thorogood.
There are two basic types of electric guitars: solidbody and hollowbody. Today, the electric guitar still features in all types of music Ð rock, blues, jazz and big bands Ð and is played by men and women, young and old, throughout the world. Some well-known electric guitarists include Muddy Waters, Jimi Hendrix, Eric Clapton, Jimmy Page, Eddie Van Halen, Steve Vai, Joe Satriani, Pat Metheny, Wes Montgomery, Chrissie Hynde and Liz Phair.
On the other hand, some chords are more difficult to play in a regular tuning than in standard tuning. It can be difficult to play conventional chords especially in augmented-fourths tuning and all-fifths tuning, in which the large spacings require hand stretching. Some chords, which are conventional in folk music, are difficult to play even in all-fourths and major-thirds tunings, which do not require more hand-stretching than standard tuning.
As with most chords in this list, a clear G major chord depends on curling your first finger so the open fourth string rings clearly. Strum all six strings. Sometimes, it makes sense to play a G major chord using your third finger on the sixth string, your second finger on the fifth string, and your fourth (pinky) finger on the first string. This fingering makes the move to a C major chord much easier.
Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having "a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides." The term is used to refer to a number of chordophones that were developed and used across Europe, beginning in the 12th century and, later, in the Americas. A 3,300-year-old stone carving of a Hittite bard playing a stringed instrument is the oldest iconographic representation of a chordophone and clay plaques from Babylonia show people playing an instrument that has a strong resemblance to the guitar, indicating a possible Babylonian origin for the guitar.
Minor chords arise as the tonic notes of minor keys that share the same key signature with major keys. From the major key's I-ii-iii-IV-V-vi-viio progression, the "secondary" (minor) triads ii-iii-vi appear in the relative minor key's corresponding chord progression as i-iv-v (or i-iv-V or i-iv-V7): For example, from C's vi-ii-iii progression Am-Dm-Em, the chord Em is often played as E or E7 in a minor chord progression. Among basic chords, the minor chords (D,E,A) are the tonic chords of the relative minors of the three major-keys (F,G,C):
When you play a guitar, bass, ukulele, mandolin or any other instrument in this big family, it's the vibration of the strings that creates your sound. That's common knowledge, of course, but have you ever stopped to really think about the implications? It's all too easy to dismiss your strings as just another part of your instrument, but the truth is they're more like its heart - and since playing the instrument means touching its strings, they also have a huge impact on the way it feels to play. With all that in mind, it's easy to see why the choice of strings is such an important one: it can make a massive difference in every aspect of your instrument, especially playability and tone. Picking out a new set of strings involves a number of choices, and those will depend on the specific instrument, so don't forget to filter the lineup by selecting a category. In most cases, that'll leave you with an easy-to-browse range of options - although if you're a guitarist or bassist, you'll still have hundreds to look at... and it might take a little more filtering to narrow things down further. Choosing your gauges will go a long way, not to mention material, which ranges from nylon for classical guitars to phosphor-bronze in acoustics and steel, nickel or even cobalt for electric guitars. Another aspect of strings to consider in your decision is coating. Traditional coated strings have a smoother feel than their uncoated cousins and usually last much longer, but they're also wider and that can make them sound different. If you like the idea of coated strings, but don't want to give up the tone you get with uncoated ones, then check out Elixir and Cleartone strings: these two manufacturers have mastered the art of ultra-thin, "barely-there" coatings that behave more like traditional strings. We've only just scratched the surface of what's available in this section, and there's a lot to see no matter what instrument you play. Different materials and gauges, coated or uncoated - it's up to you. You can buy your strings one at a time, go for a set or even stock up with multiple sets of strings at once. Still not sure where to begin? Try starting with the top-selling and best-rated strings and go from there. Finding the perfect set will probably take some experimentation, but there's no better guide than other musicians to get you on the right track.
The headstock is located at the end of the guitar neck farthest from the body. It is fitted with machine heads that adjust the tension of the strings, which in turn affects the pitch. The traditional tuner layout is "3+3", in which each side of the headstock has three tuners (such as on Gibson Les Pauls). In this layout, the headstocks are commonly symmetrical. Many guitars feature other layouts, including six-in-line tuners (featured on Fender Stratocasters) or even "4+2" (e.g. Ernie Ball Music Man). Some guitars (such as Steinbergers) do not have headstocks at all, in which case the tuning machines are located elsewhere, either on the body or the bridge.
Learn the C chord. The first chord we will cover is a C chord—one of the most basic chords in music. Before we do, let's break down just what that means. A proper chord, whether played on a piano, a guitar, or sung by well-trained mice, is simply three or more notes sounded together. (Two notes is called a "diad," and while musically useful, is not a chord.) Chords can also contain far more than three notes, but that's well beyond the scope of this article. This is what a C chord looks like on the guitar:
All-fourths tuning replaces the major third between the third and second strings with a fourth, extending the conventional tuning of a bass guitar. With all-fourths tuning, playing the triads is more difficult, but improvisation is simplified, because chord-patterns remain constant when moved around the fretboard. Jazz guitarist Stanley Jordan uses the all-fourths tuning EADGCF. Invariant chord-shapes are an advantage of other regular tunings, such as major-thirds and all-fifths tunings.
With the massive range of options available, you'd have to spend the whole day here to go through every one. There are six and twelve-strings, models specifically made for beginners, limited edition double necks; you name it, you'll find it! For a real classic, strap on a Rickenbacker 330 electric guitar. A staple in 60's mod culture, the unique hollowbody construction, slim neck and contoured body make the Rickenbacker 330 so easy to play that it has held the status as one of the all-time greatest guitars for decades.
MIDI converters use a hexaphonic guitar signal to determine pitch, duration, attack, and decay characteristics. The MIDI sends the note information to an internal or external sound bank device. The resulting sound closely mimics numerous instruments. The MIDI setup can also let the guitar be used as a game controller (i.e., Rock Band Squier) or as an instructional tool, as with the Fretlight Guitar.
The intervals between the notes of a chromatic scale are listed in a table, in which only the emboldened intervals are discussed in this article's section on fundamental chords; those intervals and other seventh-intervals are discussed in the section on intermediate chords. The unison and octave intervals have perfect consonance. Octave intervals were popularized by the jazz playing of Wes Montgomery. The perfect-fifth interval is highly consonant, which means that the successive playing of the two notes from the perfect fifth sounds harmonious.
Body size, shape and style has changed over time. 19th century guitars, now known as salon guitars, were smaller than modern instruments. Differing patterns of internal bracing have been used over time by luthiers. Torres, Hauser, Ramirez, Fleta, and C. F. Martin were among the most influential designers of their time. Bracing not only strengthens the top against potential collapse due to the stress exerted by the tensioned strings, but also affects the resonance characteristics of the top. The back and sides are made out of a variety of timbers such as mahogany, Indian rosewood and highly regarded Brazilian rosewood (Dalbergia nigra). Each one is primarily chosen for their aesthetic effect and can be decorated with inlays and purfling.
The electric guitar initially met with skepticism from traditionalists, but country and blues players and jazz instrumentalists soon took to the variety of new tones and sounds that the electric guitar could produce, exploring innovative ways to alter, bend and sustain notes. The instrument's volume and tones proved particularly appealing to the enthusiasts of rock and roll in the 1950s.