Minor chords arise as the tonic notes of minor keys that share the same key signature with major keys. From the major key's I-ii-iii-IV-V-vi-viio progression, the "secondary" (minor) triads ii-iii-vi appear in the relative minor key's corresponding chord progression as i-iv-v (or i-iv-V or i-iv-V7): For example, from C's vi-ii-iii progression Am-Dm-Em, the chord Em is often played as E or E7 in a minor chord progression.[24] Among basic chords, the minor chords (D,E,A) are the tonic chords of the relative minors of the three major-keys (F,G,C):
When playing seventh chords, guitarists often play only subset of notes from the chord. The fifth is often omitted. When a guitar is accompanied by a bass, the guitarist may omit the bass note from a chord. As discussed earlier, the third of a triad is doubled to emphasize its major or minor quality; similarly, the third of a seventh is doubled to emphasize its major or minor quality. The most frequent seventh is the dominant seventh; the minor, half-diminished, and major sevenths are also popular.[79]
The BMus in performance with a concentration in guitar is a program that focuses on the study of classical guitar literature and techniques. Goals include enabling students to express themselves musically while emphasizing the skills necessary to pursue careers as professional musicians. The course of study includes extensive performance experiences.

We've carefully selected the most qualified and well-respected instructors—a great fit for those who are just learning to play as well as those who want to advance their skill and become master musicians. Beyond having celebrated careers, every instructor is personable, patient and well educated, often with advanced degrees in music from renowned schools of music. For added peace of mind, all of our instructors are required to pass a thorough background check.
A guitar's frets, fretboard, tuners, headstock, and truss rod, all attached to a long wooden extension, collectively constitute its neck. The wood used to make the fretboard usually differs from the wood in the rest of the neck. The bending stress on the neck is considerable, particularly when heavier gauge strings are used (see Tuning), and the ability of the neck to resist bending (see Truss rod) is important to the guitar's ability to hold a constant pitch during tuning or when strings are fretted. The rigidity of the neck with respect to the body of the guitar is one determinant of a good instrument versus a poor-quality one.
One of our goals at CCM is to instill in students a great appreciation for guitar and music that will last them a lifetime. Students at CCM have won numerous international guitar competitions, performed outreach concerts all over the world, and have gotten into the best colleges in the United States. Recent CCM graduates have gone on to Harvard, Stanford, Brown, and USC. Visit our Yelp pages to see what families have to say about our program.
On the other hand, some chords are more difficult to play in a regular tuning than in standard tuning. It can be difficult to play conventional chords especially in augmented-fourths tuning and all-fifths tuning,[20] in which the large spacings require hand stretching. Some chords, which are conventional in folk music, are difficult to play even in all-fourths and major-thirds tunings, which do not require more hand-stretching than standard tuning.[21]
With that being said, nickel strings definitely have a richer tone with more body than steel strings. This warmth is especially pleasing when used to play older genres of music, blues in particular. The strings are also a great fit for rhythm work, because the warmth inherent to these strings helps to increase the overall body and richness of a mix.
So, what should you look for in a set of strings? There's no one answer. To go back to those same analogies: every woodwind player has a preferred strength and shape of reed, and every drummer likes a set of sticks with particular balance and tip shape. It's the same with strings: you've got different gauges and different materials to choose from, and ultimately the right ones for you are a matter of preference.
Further simplifications occur for the regular tunings that are repetitive, that is, which repeat their strings. For example, the E-G♯-c-e-g♯-c' M3 tuning repeats its octave after every two strings. Such repetition further simplifies the learning of chords and improvisation;[71] This repetition results in two copies of the three open-strings' notes, each in a different octave. Similarly, the B-F-B-F-B-F augmented-fourths tuning repeats itself after one string.[73]
Russell, George (2001) [1953]. "Chapter 1 The Lydian scale: The seminal source of the principal of tonal gravity". George Russell's Lydian chromatic concept of tonal organization. Volume One: The art and science of tonal gravity (Fourth (Second printing, corrected, 2008) ed.). Brookline, Massachusetts: Concept Publishing Company. pp. 1–9. ISBN 0-9703739-0-2.
Our Suzuki teachers are experienced in teaching CCM students as young as 3. Developed by the Japanese Violinist Shinichi Suzuki, the Suzuki method teaches music by ear before reading notes on the instrument so teachers can focus on setting up each student with correct posture and technique to ensure the student's continued success. Parental involvement is required for students under the age of 8 and before the child starts, parents are required to attend a private 3-week parent education class.
The two most common types of acoustic guitar are the steel-string guitar and the classical guitar. The classical guitar, also known as the Spanish guitar, usually uses nylon strings. Steel-string guitars originated in the United States and are also referred to as western guitar and folk guitar. Steel-string guitars sound louder and brighter than classical guitars, which have a warmer, mellower sound. Steel-string models usually have larger bodies and narrower necks, and they often have a pickguard to protect the body against scratches by picks and fingernails. Most acoustic guitars have six strings, but there are also 12-string versions. When an acoustic guitar is hooked up to an amplifier, it is referred to as acoustic/electric. Some acoustic/electric guitars incorporate a cutaway design, which makes it easier for electric guitar players to cross over to acoustic.