Most electric guitar bodies are made of wood and include a plastic pick guard. Boards wide enough to use as a solid body are very expensive due to the worldwide depletion of hardwood stock since the 1970s, so the wood is rarely one solid piece. Most bodies are made from two pieces of wood with some of them including a seam running down the center line of the body. The most common woods used for electric guitar body construction include maple, basswood, ash, poplar, alder, and mahogany. Many bodies consist of good-sounding, but inexpensive woods, like ash, with a "top", or thin layer of another, more attractive wood (such as maple with a natural "flame" pattern) glued to the top of the basic wood. Guitars constructed like this are often called "flame tops". The body is usually carved or routed to accept the other elements, such as the bridge, pickup, neck, and other electronic components. Most electrics have a polyurethane or nitrocellulose lacquer finish. Other alternative materials to wood are used in guitar body construction. Some of these include carbon composites, plastic material, such as polycarbonate, and aluminum alloys.
Archtop guitars are steel-string instruments in which the top (and often the back) of the instrument are carved, from a solid billet, into a curved, rather than a flat, shape. This violin-like construction is usually credited to the American Orville Gibson. Lloyd Loar of the Gibson Mandolin-Guitar Mfg. Co introduced the violin-inspired "F"-shaped hole design now usually associated with archtop guitars, after designing a style of mandolin of the same type. The typical archtop guitar has a large, deep, hollow body whose form is much like that of a mandolin or a violin-family instrument. Nowadays, most archtops are equipped with magnetic pickups, and they are therefore both acoustic and electric. F-hole archtop guitars were immediately adopted, upon their release, by both jazz and country musicians, and have remained particularly popular in jazz music, usually with flatwound strings.
In acoustic guitars, string vibration is transmitted through the bridge and saddle to the body via sound board. The sound board is typically made of tone woods such as spruce or cedar. Timbers for tone woods are chosen for both strength and ability to transfer mechanical energy from the strings to the air within the guitar body. Sound is further shaped by the characteristics of the guitar body's resonant cavity. In expensive instruments, the entire body is made of wood. In inexpensive instruments, the back may be made of plastic.
Picks come in many shapes and sizes. Picks vary from the small jazz pick to the large bass pick. The thickness of the pick often determines its use. A thinner pick (between 0.2 and 0.5 mm) is usually used for strumming or rhythm playing, whereas thicker picks (between 0.7 and 1.5+ mm) are usually used for single-note lines or lead playing. The distinctive guitar sound of Billy Gibbons is attributed to using a quarter or peso as a pick. Similarly, Brian May is known to use a sixpence coin as a pick, while noted 1970s and early 1980s session musician David Persons is known for using old credit cards, cut to the correct size, as plectrums.
Are you stuck in a musical rut? New tunings and tricks can help you keep learning guitar in fresh, fun ways. Try one of these great tips from guitar teacher Samuel B. to breathe new life into your guitar playing... One of the first things I tell any new student is that I don't specialize in a formal discipline. If jazz or classical training is your objective, then I'm not your guy. Instead, I specialize primarily in American roots music (that which we tend to casually lump together as "folk" … Read More
The electric guitar, developed for popular music in the United States in the 1930s, usually has a solid, nonresonant body. The sound of its strings is both amplified and manipulated electronically by the performer. American musician and inventor Les Paul developed prototypes for the solidbody electric guitar and popularized the instrument beginning in the 1940s.
Adding a minor seventh to a major triad creates a dominant seventh (denoted V7). In music theory, the "dominant seventh" described here is called a major-minor seventh, emphasizing the chord's construction rather than its usual function. Dominant sevenths are often the dominant chords in three-chord progressions, in which they increase the tension with the tonic "already inherent in the dominant triad".
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The truss rod is a thin, strong metal rod that runs along the inside of the neck. It is used to correct changes to the neck's curvature caused by aging of the neck timbers, changes in humidity, or to compensate for changes in the tension of strings. The tension of the rod and neck assembly is adjusted by a hex nut or an allen-key bolt on the rod, usually located either at the headstock, sometimes under a cover, or just inside the body of the guitar underneath the fretboard and accessible through the sound hole. Some truss rods can only be accessed by removing the neck. The truss rod counteracts the immense amount of tension the strings place on the neck, bringing the neck back to a straighter position. Turning the truss rod clockwise tightens it, counteracting the tension of the strings and straightening the neck or creating a backward bow. Turning the truss rod counter-clockwise loosens it, allowing string tension to act on the neck and creating a forward bow.
This month, HBO released a new documentary about Kurt Cobain's life called Montage of Heck. Unlike past documentaries on the legendary guitarist and singer, this one highlights his humanity and shares perhaps the most intimate look at his life that his fans have ever had. Director Brett Morgan worked with Cobain's family, including his daughter Frances Bean Cobain, who provided home movies, photographs, and journals. At times funny and at other times deeply sad, Montage of Heck manages to gi
"With a note of music, one strikes the fundamental, and, in addition to the root note, other notes are generated: these are the harmonic series.... As one fundamental note contains within it other notes in the octave, two fundamentals produce a remarkable array of harmonics, and the number of possible combinations between all the notes increases phenomenally. With a triad, affairs stand a good chance of getting severely out of hand."
Of course, there are a few ways to narrow down the string options. For starters, since guitars come in different scales, you need a set that's the right length for your instrument. You also need to match the type of guitar: electric strings for an electric guitar, acoustic strings for acoustic. If you play an acoustic-electric, you'll usually be looking for acoustic strings since those instruments use non-magnetic pickups. For classical and Latin guitar types directly descended from ancient gut-stringed instruments, the right strings are generally going to be nylon.
Learning to play guitar is loads of fun, though playing chords may seem a little intimidating at first. Fear not, it is not much different than playing single notes: you're just playing them all at once! This article will walk you through the process of working out the fingering, and show you how to play some common chords. Pull out your axe, and rock on!
The modern word guitar, and its antecedents, has been applied to a wide variety of chordophones since classical times and as such causes confusion. The English word guitar, the German Gitarre, and the French guitare were all adopted from the Spanish guitarra, which comes from the Andalusian Arabic قيثارة (qīthārah) and the Latin cithara, which in turn came from the Ancient Greek κιθάρα (kithara).[A] which comes from Persian word Sihtar. We can see this kind of naming in Setar, Tar, Dutar and Sitar. The word "Tar" at the end of all of these words is a Persian word that means "string".
BUT, I use it a very differently. I use a week's lesson as a week's lesson! I don't play one a day, I play the whole week's worth each day! And, I stay on the week's lessons until I have them down. I very often back to earlier weeks, and go over them to see how much better I play them, see if they are really in my fingers..and they are perfect warm ups. I go on to new week's lessons, only if and when I feel ready.