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Open tuning refers to a guitar tuned so that strumming the open strings produces a chord, typically a major chord. The base chord consists of at least 3 notes and may include all the strings or a subset. The tuning is named for the open chord, Open D, open G, and open A are popular tunings. All similar chords in the chromatic scale can then be played by barring a single fret. Open tunings are common in blues and folk music, and they are used in the playing of slide and bottleneck guitars. Many musicians use open tunings when playing slide guitar.
BUT, I use it a very differently. I use a week's lesson as a week's lesson! I don't play one a day, I play the whole week's worth each day! And, I stay on the week's lessons until I have them down. I very often back to earlier weeks, and go over them to see how much better I play them, see if they are really in my fingers..and they are perfect warm ups. I go on to new week's lessons, only if and when I feel ready.
The intervals between the notes of a chromatic scale are listed in a table, in which only the emboldened intervals are discussed in this article's section on fundamental chords; those intervals and other seventh-intervals are discussed in the section on intermediate chords. The unison and octave intervals have perfect consonance. Octave intervals were popularized by the jazz playing of Wes Montgomery. The perfect-fifth interval is highly consonant, which means that the successive playing of the two notes from the perfect fifth sounds harmonious.
Jump up ^ This sequence of fifths features the diminished fifth (b,f), which replaces the perfect fifth (b,f♯) containing the chromatic note f♯, which is not a member of the C-major key. The note f (of the C-major scale) is replaced by the note f♯ in the Lydian chromatic scale (Russell, "The fundamental harmonic structure of the Lydian scale", Example 1:7, "The C Lydian scale", p. 5).
Inlays are visual elements set into the exterior surface of a guitar, both for decoration and artistic purposes and, in the case of the markings on the 3rd, 5th, 7th and 12th fret (and in higher octaves), to provide guidance to the performer about the location of frets on the instrument. The typical locations for inlay are on the fretboard, headstock, and on acoustic guitars around the soundhole, known as the rosette. Inlays range from simple plastic dots on the fretboard to intricate works of art covering the entire exterior surface of a guitar (front and back). Some guitar players have used LEDs in the fretboard to produce unique lighting effects onstage. Fretboard inlays are most commonly shaped like dots, diamond shapes, parallelograms, or large blocks in between the frets.
SFCM produces some of the most successful and influential classical guitarists in the world. Spearheaded by renowned faculty and complemented by visiting artists such as Marcin Dylla, the department honors the tradition of the classical guitar while cultivating innovation. The Harris Guitar Collection, housed at SFCM, gives students a chance to see—and play—some of the most extraordinary guitars of the last two centuries.