The saddle of a guitar refers to the part of the bridge that physically supports the strings. It may be one piece (typically on acoustic guitars) or separate pieces, one for each string (electric guitars and basses). The saddle's basic purpose is to provide the end point for the string's vibration at the correct location for proper intonation, and on acoustic guitars to transfer the vibrations through the bridge into the top wood of the guitar. Saddles are typically made of plastic or bone for acoustic guitars, though synthetics and some exotic animal tooth variations (e.g. fossilized tooth, ivory, etc. ) have become popular with some players. Electric guitar saddles are typically metal, though some synthetic saddles are available.
Kyser®'s nickel-plated electric guitar strings give you a warm, rich, full sound. They are precision wound around a carefully drawn hex shaped carbon steel core. The outer nickel-plated wrap maintains constant contact with the hex core resulting in a string that vibrates evenly for maximum sustain, smooth sound, and allows easy bending. Click the individual string images to view more gauge information.
Our Suzuki teachers are experienced in teaching CCM students as young as 3. Developed by the Japanese Violinist Shinichi Suzuki, the Suzuki method teaches music by ear before reading notes on the instrument so teachers can focus on setting up each student with correct posture and technique to ensure the student's continued success. Parental involvement is required for students under the age of 8 and before the child starts, parents are required to attend a private 3-week parent education class.
Vesala - Muitaki Ihmisii The Ridleys - Maybe The Payolas - Christmas Is Coming The Skywalkers - My Sense Of Fear Tony Cetinski - Sto Si Ti Meni Hotel Books - I Knew Better But Did Nothing The Grays - Everybodys World The Tide - Hey Everybody AVVAH - Kaleidoskop Hearts & Colors - Can't Help Falling In Love Cashew Chemists - Common Equation Sakari Kuosmanen - Laulajan Helmi Remo Drive - Strawberita Jordan Fisher - Mess Kaseva - Silloin Kun
Picks come in many shapes and sizes. Picks vary from the small jazz pick to the large bass pick. The thickness of the pick often determines its use. A thinner pick (between 0.2 and 0.5 mm) is usually used for strumming or rhythm playing, whereas thicker picks (between 0.7 and 1.5+ mm) are usually used for single-note lines or lead playing. The distinctive guitar sound of Billy Gibbons is attributed to using a quarter or peso as a pick. Similarly, Brian May is known to use a sixpence coin as a pick, while noted 1970s and early 1980s session musician David Persons is known for using old credit cards, cut to the correct size, as plectrums.
To play a C chord on a guitar, put your ring finger on the third fret on the A string, your middle finger on the second fret on the D string, leave the G string open, and put your index finger on the first fret of the B string. Before you try to strum the chord, play each note individually until the note sounds clear. When you've mastered the C chord, try moving on to other chords like G or F.
You don't have to be a virtuoso guitarist to touch people's hearts with your music! Guitar teacher Samuel B. shares a few of his favorite great-but-not-that-great famous guitar players... Towards the end of Johnny Cash's autobiography, you'll find the following paragraph: As to my musical future, my prospects look good. I can whack on a guitar as incompetently as I could a year ago, probably more so. I can sing just as well, or as badly, as I ever could. And I've got more songs trying to
Play the A Major. This is another "big chord," sonically. There are several ways to play this. You can use one finger across the 2nd fret of the B, G, and D strings (playing C#, A, and E, respectively), or any other combination of fingers. For this example, we'll use the 4th finger on the B string, 3rd finger on the G string, and 2nd finger on the D string.
Russell, George (2001) [1953]. "Chapter 1 The Lydian scale: The seminal source of the principal of tonal gravity". George Russell's Lydian chromatic concept of tonal organization. Volume One: The art and science of tonal gravity (Fourth (Second printing, corrected, 2008) ed.). Brookline, Massachusetts: Concept Publishing Company. pp. 1–9. ISBN 0-9703739-0-2.
There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar, which is sometimes called a "jazz guitar". The tone of an acoustic guitar is produced by the strings' vibration, amplified by the hollow body of the guitar, which acts as a resonating chamber. The classical guitar is often played as a solo instrument using a comprehensive finger-picking technique where each string is plucked individually by the player's fingers, as opposed to being strummed. The term "finger-picking" can also refer to a specific tradition of folk, blues, bluegrass, and country guitar playing in the United States. The acoustic bass guitar is a low-pitched instrument that is one octave below a regular guitar.
A guitar strap is a strip of material with an attachment mechanism on each end, made to hold a guitar via the shoulders at an adjustable length. Guitars have varying accommodations for attaching a strap. The most common are strap buttons, also called strap pins, which are flanged steel posts anchored to the guitar with screws. Two strap buttons come pre-attached to virtually all electric guitars, and many steel-string acoustic guitars. Strap buttons are sometimes replaced with "strap locks", which connect the guitar to the strap more securely.

The lower strap button is usually located at the bottom (bridge end) of the body. The upper strap button is usually located near or at the top (neck end) of the body: on the upper body curve, at the tip of the upper "horn" (on a double cutaway), or at the neck joint (heel). Some electrics, especially those with odd-shaped bodies, have one or both strap buttons on the back of the body. Some Steinberger electric guitars, owing to their minimalist and lightweight design, have both strap buttons at the bottom of the body. Rarely, on some acoustics, the upper strap button is located on the headstock. Some acoustic and classical guitars only have a single strap button at the bottom of the body—the other end must be tied onto the headstock, above the nut and below the machine heads.
This month, HBO released a new documentary about Kurt Cobain's life called Montage of Heck. Unlike past documentaries on the legendary guitarist and singer, this one highlights his humanity and shares perhaps the most intimate look at his life that his fans have ever had.  Director Brett Morgan worked with Cobain's family, including his daughter Frances Bean Cobain, who provided home movies, photographs, and journals. At times funny and at other times deeply sad, Montage of Heck manages to gi
As a general rule, brass strings are always going to be brighter than bronze strings. Though, counterintuitively, many brass strings go by the moniker of “80/20” bronze. These strings are actually the one in the same. Brass, or 80/20 bronze as it’s often known, is made from 80% copper and 20% zinc. This gives the strings a bright and cutting voice, though when used on guitars that already have a prominent high-end response it can make an instrument sound thin and tinny. For best results, use brass strings on a guitar that’s an OM size or larger (so this would include OM guitars, dreadnoughts, and jumbos).
Further simplifications occur for the regular tunings that are repetitive, that is, which repeat their strings. For example, the E-G♯-c-e-g♯-c' M3 tuning repeats its octave after every two strings. Such repetition further simplifies the learning of chords and improvisation;[71] This repetition results in two copies of the three open-strings' notes, each in a different octave. Similarly, the B-F-B-F-B-F augmented-fourths tuning repeats itself after one string.[73]
I would especially like to stress the gentle approach Justin takes with two key aspects that contributed to my development as a musician - music theory and ear training. Justin has succeeded in conveying the importance and profoundness of understanding music both theoretically and through your ears while maintaining a simple and accessible approach to them, all while sticking to what is ultimately the most important motto: 'If it sounds good, it is good'.
The modern word guitar, and its antecedents, has been applied to a wide variety of chordophones since classical times and as such causes confusion. The English word guitar, the German Gitarre, and the French guitare were all adopted from the Spanish guitarra, which comes from the Andalusian Arabic قيثارة (qīthārah)[4] and the Latin cithara, which in turn came from the Ancient Greek κιθάρα (kithara).[A] which comes from Persian word Sihtar. We can see this kind of naming in Setar, Tar, Dutar and Sitar. The word "Tar" at the end of all of these words is a Persian word that means "string".[6]
After teaching guitar and music theory to thousands of students over past three decades, I thought that I had basically 'seen it all' when it comes to guitar instruction. Then I discovered Justin’s website, and man was I impressed! Justin’s caring spirit, attention to detail, vast knowledge base, and especially his lucid, laidback and nurturing style, allow students to fall in love with the learning process. You see, it’s not enough to simply find out how to play a few cool licks or chords. A truly great teacher will make you fall in love with the process of discovery so that you can unlock the best within you. Justin is one of these great teachers, and I highly recommend to anyone who wants to tap into their best selves.
The Master of Music in Performance (Guitar) from Musicians Institute combines advanced performance training with additional study in both traditional and contemporary disciplines such as music history, theory, education, research skills, recording technology, production, business relations and online brand management, taking your guitar skills to the highest level.